Danish Yearbook of Musicology, volume 35 · 2007
Editorial – Michael Fjeldsøe & Thomas Holme Hansen
Viewpoint:
Digital Editing of Music – Time to Take a Stand
– Axel Teich Geertinger and Bjarke Moe
Articles
(Un)Covering Hanns Eisler’s Hollywood Songbook – Andrea F. Bohlman and Philip V. Bohlman
“Wer heisst euch mit Fingern zeigen auf mich?”. Selbstreflexive Illusionsbrüche bei Hans Christian Andersen und Robert Schumann – René Michaelsen
‘And Incidentally, the Score is Quite Beautiful’. Work conceptual reflections on the phonographic remediations of Max Steiner’s symphonic film score for Gone With the Wind (1939) as soundtrack album – Steen Kaargaard Nielsen
Research Projects
EMS: Two Music Cultures – One Institution. Swedish electro-acoustic music
from 1965 to the late 1970s –
Sanne Krogh Groth
Hip Hop Culture as Musical Practice: Analyses and Discussions –
Mads Krogh
Skandinavische Symphonik im wilhelminischen Kaiserreich –
Katharine Leiska
Transformations in Russian Popular Music of the Post-Soviet Era– Case study St Petersburg –
David-Emil Wickström
Conferences
Zoltán Kodály Symposium, Copenhagen 2007 –
Michael Fjeldsøe
Passagen – 18th Congress of the International Musicological Society (IMS),
Zurich 2007 –
Peter E. Nissen
Digital Editions. Perspectives for Editors and Users, University of
Copenhagen, January 2008 –
Niels Bo Foltmann
Music, Media & Emotions, University of Aarhus, October 2007 –
Charlotte Rørdam Larsen & Iben Have
Sound Art, Auditory Culture, University of Copenhagen,
28–30 November 2007 –
Steen Kaargaard Nielsen
Danish Musicological Society, 2007 – Thomas Holme Hansen
Reviews
Musik og Psykologi, Psyke & Logos, 28/1 (2007), ed. Lars Ole Bonde
– Nicolai Jørgensgaard Graakjær
Jens Henrik Koudal, Grev Rabens dagbog. Hverdagsliv i et adeligt miljø i 1700-tallet – Lisbeth Ahlgren Jensen
Henrik Glahn, Supplement til Salmemelodien i dansk tradition 1569–1973 – Henrik Palsmar
Nila Parly, Absolut Sang. Klang, køn og kvinderoller i Wagners værker– Ansa Lønstrup
Finn Egeland Hansen, Layers of Musical Meaning – Bengt Edlund
Anders Meng, Temporal Feature Integration for Music Organisation; Peter Ahrendt, Music Genre Classification Systems – A Computational Approach – Finn Egeland Hansen
Jens Westergaard Madsen, Kreativt klaverstudium – Svend Hvidtfelt Nielsen
Jane Mink Rossen and Uri Sharvit, A Fusion of Traditions: Liturgical Music in the Copenhagen Synagogue – Tore Tvarnø Lind
Fabian Holt, Genre in Popular Music – Franco Fabbri
J.P.E. Hartmann, Liden Kirsten op. 44, ed. Inger Sørensen and Niels Krabbe; J.P.E. Hartmann, Vølvens Spaadom, op. 71, ed. Niels Krabbe – Michael Struck
F.L.Ae. Kunzen, Gesammelte Klavierwerke/Samlede klaverværker ed. Gorm Busk and Heinrich W. Schwab – Christopher Hogwood
Bibliography 2007 –
Anne Ørbæk Jensen
Information