Danish Yearbook of Musicology, volume 38 • 2010/11

Contents

Editorial – Michael Fjeldsøe, Peter Hauge & Thomas Holme Hansen

Viewpoint: Musicology as Independent Research? – Peder Kaj Pedersen

Articles

Italian Music at the Danish Court during the Reign of Christian IV – Presenting a picture of cultural transformation – Bjarke Moe

The Legacy of Lerdahl and Jackendoff’s A Generative Theory of Tonal Music. Bridging a significant event in the history of music theory and recent developments in cognitive music research – Niels Chr. Hansen

Verbale klask, klagen og klynk. Retoriske strategier mellem hardcore og ‘klynke-rap’
– Mads Krogh & Birgitte Stougaard Pedersen

Reports

Research Projects
Rap, Rights and Respect! A musical anthropology of hip hop, rap music, violence and freedom of expression – Kristine Ringsager
Silence/Noise of the Work – Dissonant passages in 20th-century arts and aesthetics – Thomas Bjørnsten Kristensen
The Historiography of Musical Listening – Jan Andreas Wessel
Audiovisual Culture and the Good Sound – Ansa Lønstrup

Conferences
SoundActs, Aarhus University, September 2010 – Steen Kaargaard Nielsen
International Marcus Meibom Symposium, Stockholm, January 2010 – Mattias Lundberg

Danish Musicological Society, 2010 – Anne Ørbæk Jensen

Reviews

Zdravko Blazekovic and James R. Cowdery (eds.) Liber Amicorum. Festschriften for Music Scholars and Nonmusicians 1840–1966; Zdravko Blazekovic and Barbara Dobbs Mackenzie (eds.) Music’s Intellectual History – Thomas Holme Hansen

The Offices and Masses of St. Knud Lavard reproduced in facsimile, transcribed and edited by John Bergsagel; A Danish Teacher’s Manual of the Mid-Fifteenth Century. Vol. 1: Transcription and Facsimile, ed. Sigurd Kroon et al.; Vol. 2: Commentary and Essays, ed. Britta Olrik Frederiksen, John Bergsagel, and Inge Skog – Peter Woetmann Christoffersen

Jette Barnholdt Hansen, Den klingende tale: Studier i de første hofoperaer på baggrund af senrenæssancens retorik – Mattias Lundberg

Arne Spohr, “How chances it they travel?” Englische Musiker in Dänemark und Norddeutschland 1579–1630 – Bjarke Moe

Erik Kjellberg (ed.), The Dissemination of Music in Seventeenth-Century Europe. Celebrating the Düben Collection – Bjarke Moe

Axel Teich Geertinger, Die italienische Opernsinfonia 1680-1710. Vol. 1: Komposition zwischen Funktion und Selbständigkeit; Vol. 2: 100 Opernsinfonien – Herbert Seifert

Inger Sørensen (ed.), Niels W. Gade og hans europæiske kreds. En brevveksling 1836-1891. Niels W. Gade und sein europäischer Kreis. Ein Briefwechsel 1836-1891 – Siegfried Oechsle

Anders Edling, Emil Sjögren – Claus Røllum-Larsen

Anne-Marie Reynolds, Carl Nielsen’s Voice. His Songs in Context; Daniel M. Grimley, Carl Nielsen and the Idea of Modernism – Michael Fjeldsøe

Erling Kullberg, Sange for kor – Dansk kormusik i det 20. århundrede – Kasper Beck Hemmingsen

Erik Moseholm, Da den moderne dansemusik kom til Danmark – Michael Fjeldsøe

Tore Mortensen, Fortællinger om jazzen. Dens vej gennem Statsradiofonien, Danmarks Radio og DR – Morten Michelsen

Michael Hauser, Traditional Inuit Songs from the Thule Area – Tore Tvarnø Lind

 

Bibliography 2010 – Anne Ørbæk Jensen

Information

Publications received; Contributors to this issue; Guidelines for authors; Danish Musicological Society